5 November 2026 – Thursday
5 November 2026 – Thursday
haris.haveric@studbocconi.it | + posts

Hi, I’m Haris. As a student at Bocconi, I’m passionate about the intersection of economics, arts, and politics. I enjoy examining how global changes and specific sectors affect individuals and communities worldwide. Writing helps me challenge narratives, explore complex issues, and participate in meaningful discussions. At Tra i Leoni, I aim to share thoughtful, well-reasoned perspectives with an inquisitive audience.

Studio or Library: Can Skydance Afford to Be Brave?

Sequels and reboots, or a studio brave enough to make the next Sinners? Warner Bros. has a new owner, and the next few years will decide which one we get. We look at what’s at stake, from Burbank to Venice and Cannes.
Sequels and reboots, or a studio brave enough to make the next Sinners? Warner Bros. has a new owner, and the next few years will decide which one we get. We look at what’s at stake, from Burbank to…

Monday Briefing 21/09/2026

In today’s Monday Briefing, we discuss the increasing apprehension about AI development. In Europe, both Russia and Germany go to the polls. Meanwhile, Bolivia faces unrest, the US expands influence in Africa, and Revolut suffers a data breach.
Monday Briefing 21/09/2026 In today’s Monday Briefing, we discuss the increasing apprehension about AI development. In Europe, both Russia and Germany go to the polls. Meanwhile, Bolivia faces unrest, the US expands influence in Africa, and Revolut suffers a…

The Offer He Couldn’t Refuse

Francis Ford Coppola. American filmmaker and one of the central figures of New Hollywood, who wrote and directed The Godfather trilogy, The Conversation, and Apocalypse Now
Francis Ford Coppola. American filmmaker and one of the central figures of New Hollywood, who wrote and directed The Godfather trilogy, The Conversation, and Apocalypse Now Long before the wedding music drifted over a garden of favours, there was…

The Fragile Business of Making Films That Matter

Somewhere between the sequels and the franchises, a different kind of cinema is still quietly fighting for its life.
It begins fittingly, with a whisper of something strange. A girl confesses: “It was I… It was a witch.” At that moment, “The Witch” announces itself as something rare. A film uninterested in pleasing everyone. Austere, unsettling and unapologetically specific. It…