21 May 2026 – Thursday
21 May 2026 – Thursday

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Stefano Corvino, Bocconi alumnus and author of The Lost Composer, presented his piano suite Korean Inventions, Op. 2 in a recording session held in Milan with Spanish pianist Juan Francisco Otón Martínez. Through his reflections on contemporary musicmaking, Corvino criticizes the excessive self-referentiality of parts of the avant-garde and argues for a return to music as emotional and social communication. His artistic vision combines musical complexity with accessibility, proposing a contemporary language capable of reconnecting composers and audiences.
On Friday, April 10th, 2026 the recording of the piano suite Korean Inventions, Op. 2 by Stefano Corvino took place at the milanese studio OFFICINA in Via Tolstoj.  Now a manager at ATOZ Services (Luxembourg), Stefano Corvino belongs to an earlier generation of Bocconi graduates, with a background in both Business Administration (CLELI, Graduation Class of 2002) and a Law (Class of 2005). The performance in Milan is dedicated to the students of his alma mater and involved…

Believing in nothing, and why it makes us violent

Contemporary terrorism is no longer driven by structured ideologies, but by a radical form of nihilism that finds its ultimate purpose in violence itself. From online communities that fuel desensitisation to attacks conceived as viral performances, a scenario emerges in which subversion and chaos become ends in themselves, stripped of any political project. But what happens when destruction loses all purpose and turns into a language? In this new article from the “Strong Words” column, Pietro Cattaneo analyses the phenomenon of Nihilistic Violent Extremists, exploring its cultural and digital roots while questioning the role of the media in an ecosystem that risks amplifying its reach.
Contemporary terrorism is no longer driven by structured ideologies, but by a radical form of nihilism that finds its ultimate purpose in violence itself. From online communities that fuel desensitisation to attacks conceived as viral performances, a scenario emerges…

Artista, fotocamera, soggetto: un ritratto del rapporto individuo – società 

Articolo in collaborazione con L'Eclisse. Da sempre gli artisti hanno rappresentato il rapporto individuo-società e l'arte ci permette di coglierne i mutamenti. Indaghiamo come questa relazione si presenti nell'epoca contemporanea, osservando gli spazi privati e pubblici immortalati nelle fotografie di Menno Aden e Christopher Herwig.
di Elena Floris e Alice Di Terlizzi L’essere umano è sempre stato oggetto di studio degli artisti: prendendo in considerazione come il rapporto di uomini e donne con la società cambi continuamente, l’artista si avvicina ad esaminare i fenomeni…

Columns

Every revolution begins with a road. Revolutionary Roads grows from this idea: that change is not a sudden moment, but a path shaped by everyday choices, words, practices, and direction. Revolution is discipline. It is a practice. It is something we return to, again and again. In this issue, we move through the spaces where revolution takes form, across institutions, images, streets, culture, and within ourselves.
Every revolution begins with a road. Revolutionary Roads grows from this idea: that change is not a sudden moment, but a path shaped by everyday choices, words, practices, and direction. Revolution is discipline. It…
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The Fragile Business of Making Films That Matter

Somewhere between the sequels and the franchises, a different kind of cinema is still quietly fighting for its life.
It begins fittingly, with a whisper of something strange. A girl confesses: “It was I… It was a witch.” At that moment, “The Witch” announces itself as something rare. A film uninterested in pleasing everyone. Austere, unsettling and unapologetically specific. It…

No One Stayed Still: BLPSA’s “Tonight We Gotta Footloose!”

The lights dimmed, the first beat dropped, and for two hours, no one stayed still. With “Tonight We Gotta Footloose!”, BLPSA turned Roentgen’s Aula Magna into something far bigger than a school stage: a space filled with movement, music, and the kind of energy that refuses to sit quietly.
The lights dimmed, the first beat dropped, and for two hours, no one stayed still. With “Tonight We Gotta Footloose!”, BLPSA turned Roentgen’s Aula Magna into something far bigger than a school stage: a space filled with movement, music,…

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